Robert Rauschenberg Tire Print. Robert rauschenberg with john cage. Robert rauschenberg with john cage, automobile tire print, 1953 806.
The exhibition, 5 decades of printmaking, is a survey of rauschenberg’s print work created at preeminent. This artwork came about in 1953 when robert rauschenberg directed his director friend john cage his model ford straight over 20 sheets of paper laid out on the streets of manhattan. In one of his wanderings in the early 1950s, rauschenberg found and purchased a stuffed angora goat from an office supply store and later encircled it with a tire he encountered in street trash.
Rauschenberg Reinforced The Twenty Glued Sheets Of Paper That Support Automobile Tire Print By Affixing Them To A Long Strip Of Linen.in This View Of The Last Sheet Of Paper In The Sequence, The Mark Left By The Painted Tire Is Fainter, And The Linen Backing Is Visible.
The exhibition, 5 decades of printmaking, is a survey of rauschenberg’s print work created at preeminent. Gift from the artist, ana diploma presentation october 3, 1984. Ross, walter hopps, gary garrels, and peter samis, san francisco museum of modern art, may 6, 1999.
House Paint On 20 Sheets Of Paper, Mounted On Fabric.
His best known body of work, the combines (1953. Ink on twenty sheets of paper, mounted on fabric dimensions: The exhibitions starts with a black ink print of an automobile tire on 20 sheets of typewriter paper.
Unpublished Transcript At The Sfmoma Research Library And Archives, N 6537.R27 A35 1999A.
Erased de kooning drawing and automobile tire print (both 1953). Robert rauschenberg discusses automobile tire print at sfmoma, may 6, 1999. Stockholm, estate of robert rauschenberg/ censed by ny.
But Unlike Many Artists, The Key To The Art On Show Here Is The Artist’s Constant Quest To Push Himself.
Robert rauschenberg foundation plots ambitious catalogue. He began to study pharmacology at the university of texas, austin, before being drafted into the u.s. A year or so after automobile tire print, the poet frank o’hara famously called rauschenberg ‘the enfant terrible of the new york school’.
Marines That He Discovered His Aptitude For Drawing And His Interest In The Artistic Representation Of Everyday Objects And People.
Robert rauschenberg, minutiae, 1954 809. Robert rauschenberg, automobile tire print. Robert rauschenberg and john cage, “automobile tire print” (detail) (1953).
