Bride And Two Companions Jamini Roy. April 11, 1887) is known for his passion for simple indian folk art and his love for indian roots. Jamini roy’s choice of colors looks at first sight purely decorative.
His kalighat paintings were based on the everyday life of rural bengal, ramayana, jesus christ, europeans in india among others. Note the magnificent indigo of bengal, and how the palms of the bride's hands are smeared with red sandalpaste. He was honoured with the state award of padma bhushan in 1954.
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Note the magnificent indigo of bengal, and how the palms of the bride's hands are smeared with red sandalpaste. Jamini roy became famous as a portrait painter in the european tradition. Jamini roy received many awards and accolades, including the padma bhushan in 1955.
Note The Magnificent Indigo Of Bengal, And How The Palms Of The Bride's Hands Are Smeared With Red Sandalpaste.
The bride holds a pot in one hand and with the other, she holds her ghunghat in place. April 11, 1887) is known for his passion for simple indian folk art and his love for indian roots. In the catalogue, austin coates described the painting:
In Which Field Of Art Did Jamini Roy Makes His Name?
Jamini roy's choice of colours looks at first sight purely decorative. Everywhere in bengal nowadays the painting of jamini roy has been reached. Jamini roy also came up with individual episodes of ramayana, some of which are now displayed in places like the national art gallery of india and the victoria memorial hall.
His New Style Was A Reaction Against The Bengal School And Western Tradition.
“note the magnificent indigo of bengal, and how the palms of the bride’s hands are smeared with red sandal paste. My grandparents lived in kolkata (formerly calcutta), india and back in the late 1940s or early 1950s bought this painting, bride and two companions by jamini roy. Artist jamini roy's bride and companion painting online.
He Studied Formal Art At The Government School Of Art In Calcutta, India Where He Learned Of Western Art.
His new style was a reaction against the bengal school and western tradition. Roy's rejection of the then modern style of painting and his foray into the realm of bengali folk paintings marked a new beginning in the history of indian modern art. He was honoured with the state award of padma bhushan in 1955.
