Patricia Piccinini Still Life With Stem Cells

Patricia Piccinini Still Life With Stem Cells. “the young family” by patricia piccinini (2002). The website of contemporary visual artist patricia piccinini.

Patricia Piccinini 'Still Life with Stem Cells' Patricia
Patricia Piccinini 'Still Life with Stem Cells' Patricia from www.flickr.com

The virtually new 79 figure 5.3 patricia piccinini, still life with stem cells (2002). Life sized with variable dimensions. It contains information about and images of her sculptures, photographs, videos, drawings and other artworks.

Still Life With Stem Cells.


Pretty much, that essay i linked you to, talks about stem cell research, and how the meaning of 'life' has changed: Patricia piccinini, still life with stem cells, 2002 silicone, polyurethane, human hair, clothing and carpet. 150 × 40 × 60 cm.

Still Life With Stem Cells, Silicon, Polyurethane, Clothing, Human Hair, Dimensions Variable, Exhibited Patricia Piccinini:


Piccinini has been heavily investigating these themes throughout her work over the last decade (michael, 2003). This website has been produced by the studio of patricia piccinni. Silicon, fibreglass, leather, plywood, hair.

Patricia Piccinini Was Born In 1965 In Freetown, Sierra Leone.


Piccinini pulls no punches in her quest for sentimental appeal: Silicone, polyurethane, leather, mdf, human hair. Patricia piccinini, meet graham, installation view, state library of victoria.

Silicone, Polyurethane, Clothing, Human Hair.


In contrast to the comforter , where both figures in the piece have suffered the consequences of genetics, the girl in still life seems not only affectionate, but also superior to the creations. Patricia piccinini, plasmid region, 2003 dvd, 16:9 pal with sound; In her earlier still life with stem cells, piccinini created a scene with a toddler playing with little humanoid blobs of flesh.

Patricia Piccinini's Exhibition We Are Family Was Australia's Official Representation For The 50Th Venice Biennale, 2003.


Their skins look as if they would be warm to touch. Silicone, polyurethane, clothing, human hair variable still life with stem cells (detail), 2002 silicone, polyurethane, clothing, human hair variable more information about the artist roslyn oxley9 gallery +612 9331 1919 We are family, australian pavilion, venice biennale, 2003 melbourne gallery