Mirror Displacement Robert Smithson. See the renowned permanent collection and special exhibitions. (60.96 × 60.96 cm) department:
Robert smithson is an american artist and photographer, who is most famously known for his 'earthwork' sculpture, spiral jetty. So that’s a departure from the other kind of contained,. For two years, he was enrolled at the art students league in new york and, for a briefer period, at the brooklyn museum school.
Yucatán Mirror Displacement # 1, 1969.
The aztec thought the crest of the earth was the top of a huge saurian monster, a kind of crocodile, which was the object of a certain cult. Entropy is the bedrock of smithson’s artistic trajectory as one of the instigators of a postmodernist dissemination of mutually visual and verbal medium. I really liked the work that robert smithson did with mirrors.
Robert Smithson Mirror Stratum 1966 Not On View;
Mirror displacement on a compost heap maker: Cayuga salt mine project, 1969 — installed at the a.d. Robert smithson, yucatan mirror displacement, 1969 in 1969 robert smithson was given the job of traveling throught the yucatan penninsula to speak about ancient land art and write an article for art forum.
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The mirror as a concept and abstraction; This was a piece made by smithson on a brief but highly influential visit to the uk. It is probable that mayan had a similar belief, but it is not impossible that at the same time they.
He Often Worked With Mirrors, Exploiting The Way In Which This Commonplace Material Infinitely Refracts And Reflects Space, Creating Visual Displacement.
So that’s a departure from the other kind of contained,. Courtesy of the estate of robert smithson. The mirror surfaces have the property of denying surface, and the marks they bear
This Ephemeral Installation Is Robert Smithson’s First “Mirror Displacement,” A Series Of Works Begun In 1969.
Robert smithson is an american artist and photographer, who is most famously known for his 'earthwork' sculpture, spiral jetty. This mirror displacement was smithson’s only site work to be made in the uk and after the exhibition at the ica the work was destroyed. Jstor.org /stable/community.22758148 cite this item cite this item.
