Jenny Holzer Redaction. Where barbara kruger's work is moving, jenny holzer is compelling to the point of aggressiveness. Presented to great acclaim at new york’s cheim & read.

In questa mostra, che si incentra sul lavoro fatto dalla metà degli anni '90 fino ad oggi, la holzer fonde considerazione politica con bellezza formale. Redaction paintings is a project which jenny holzer started in 2006 and it features declassified government documents relating to the american and british interventions in the middle east. Jenny holzer has been using text in her art since the late 1970s.
Protect Protect, Exhibition Catalogue, Museum Of Contemporary Art Chicago 2010.
Where barbara kruger's work is moving, jenny holzer is compelling to the point of aggressiveness. Jenny holzer and poet henri cole with various redaction paintings in her studio in hoosick falls, new york, and big hands yellow white (2006) installed at cheim & read, new york. Holzer’s ongoing redaction paintings series bedecks the walls of k2.
Jenny Holzer, Palm, Fingers & Fingertips (Right Hand) 000394 (2007) From Reality Winner To Is This A Room.
Holzer’s ongoing redaction paintings series bedecks the walls of k2. Published by cheim & read (2006) essay by robert storr. In questa mostra, che si incentra sul lavoro fatto dalla metà degli anni '90 fino ad oggi, la holzer fonde considerazione politica con bellezza formale.
/ 112 Pgs / 95 Color.
The posters presented lists of written statements, Examining relationships between the arts and their critical and social. For more than thirty years, jenny holzer's work has paired text and installation to examine personal and.
The Wars In Iraq And Afghanistan Are Her Primary Concern In.
Jenny holzer (*1950) has been probing the aesthetic and political intersection of language, installation, and painting since the late 1970s. Xenon for duisburg hatje cantz Presented to great acclaim at new york's cheim & read gallery this past summer, the work consists of enlarged, colorized silkscreen paintings of declassified and.
A Lot Of Your Works, Such As The Redaction Paintings, Deal With.
Presented to great acclaim at new york's cheim & read gallery this past summer, the work consists of enlarged, colorized silkscreen paintings of declassified and oftentimes heavily censored. Jenny holzer presents texts from declassified us government documents covering events that occurred during the conflicts in afghanistan and iraq immediately after 9/11. The documents’ contents, though largely redacted, contrast starkly against the affluent surroundings of the gallery setting.