Yin Xiuzhen Artworks

Yin Xiuzhen Artworks. During dark mofo festival 2014 yin built a wall of ice on the hobart waterfront, using frozen water from the river derwent. International airport terminal 1, alexander ochs gallery, berlin, september 29—november 11, 2006 (catalogue).

Portable Cities By Yin Xiuzhen IGNANT
Portable Cities By Yin Xiuzhen IGNANT from www.ignant.com

In her work “portable city” artist yin xiuzhen collects clothes worn by people in different cities and uses them to create miniature models of them inside a suitcase. “nowhere to land,” the title of yin xiuzhen’s solo exhibition at pace beijing in the summer of 2013, is more an accurate description of her creative state over the years than it is the title of any one work or exhibition. ‘each piece of clothing brings with it the wearer’s spirit’.

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She arranges old clothes, shoes, furniture and simple construction materials to create complex installations that focus on issues surrounding the construction of history and memory. Shocked to discover the polluted condition of the funan river in chendu, yin assembled 10 cubic metres of frozen contaminated river water and. She collects pieces of clothing from the depicted city in order to sew souvenir textile items that are shaped by her memories of the specific location.

In Her Work “Portable City” Artist Yin Xiuzhen Collects Clothes Worn By People In Different Cities And Uses Them To Create Miniature Models Of Them Inside A Suitcase.


8, 2010 clothing fragments and aluminium panel. She will introduce the artworks on display and share her experience of conceiving and planning the exhibition with the artist. Please note that height precedes width in the artwork dimensions detailed below.

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Portable cities by yin xiuzhen. Dong and xiuzhen came of age in the rapidly changing china. Hanging lengthways, they resemble missiles.

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118 x 92 x 11 cm pace gallery. Find the latest shows, biography, and artworks for sale by yin xiuzhen 尹秀珍 To create the facilities and sculptures that he often brings to life, xiuzhen often employs elements as simple as clothing old to explore topics the memory, globalization and individual and collective.

To Provide The Viewer With The Whole Experience, The Suitcase Also Plays A.


Lee in the 1990s and 2000s, which provide productive ways of imagining subjects’ encounters with foreign places and other bodies in an increasingly interconnected, yet unevenly developed globalized world. It has since been exhibited in. Yin’s creative outputs—from her earliest installations that bemoan the vanishing old beijing, through her portable cities series that uses fabric architecture to convey her impressions of world cities, to.