Bronzino Allegory With Venus And Cupid. Its obscure images, exaggerated poses, and graceful forms. Lavina fontana's figure of christ in the noli me.
Agnolo bronzino’s ‘allegory with venus. Let’s decode the many interlocking secrets hidden throughout an allegory with venus and cupid (1545). An exemplary image for contemporary sexual health promotion?
[1] Scholars Do Not Know For Certain What The Painting Depicts.
London, national gallery (photo courtesy national gallery). Bronzino's painting venus, cupid, folly, and time. The picture is likely to be that mentioned in vasari's 'life of bronzino' of 1568:
But Like Most Masterpieces, It’s Been Pored Over Again And Again, Generating At Least One Interesting Take On The Whole Work:
This gorgeous riddle of a painting by bronzino is probably one of the most amusing and hardest paintings to decipher in the history of renaissance. And he painted a picture of singular beauty that was sent to king francis in france, wherein was a nude venus, with a cupid who was kissing her, and pleasure on one side with play and other. Bronzino's 'allegory of venus and cupid':
Venus, Cupid, Folly And Time.
In which was a nude venus with cupid kissing her, and on one side pleasure and play with other loves; Part of the collection of the national gallery, london. It displays the ambivalence of the mannerist period in life and art.
Its Obscure Images, Exaggerated Poses, And Graceful Forms.
Bronzino allegory of venus & cupid explained: Join me in the national gallery in london as we dissect one of the most puzzling and disturbing paintings of all time: He made a picture of singular beauty, which was sent to king francis in france;
It Is Likely To Be The Painting Mentioned In Vasari’s ‘Life Of Bronzino’ Of 1568:
It was designed as a puzzle, and incorporates symbols and devices from the worlds of mythology and emblematic imagery. 1545, oil on panel, 146.1 x 116.2cm (national gallery, london) this passage by vasari is most likely related to this canvas: 1545) agnolo di cosimo di mariano, usually known as il bronzino (probably because of his dark complexion), was born in monticello, a town south east of florence, in 1503.
