Garry Winogrand Zoo

Garry Winogrand Zoo. Over 750 photos, along with extensive essays and biographies, make this an indispensable resource for the casual or professional student of photography. He wanted to see what the world looked like.

iGavel Auctions Garry Winogrand, Children at Zoo, c
iGavel Auctions Garry Winogrand, Children at Zoo, c from bid.igavelauctions.com

If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can. I grew up within walking distance of the bronx zoo. Gelatin silver photograph, other (mount):

“Sometimes I Feel Like […] The World Was A Place For Which I Bought A Ticket.


[hand feeding elephant trunk, zoo] artist: 8 5/8 x 12 7/8in. Masters of photography features the greatest practitioners of the camera.

Why Did The Citizens Evolve From Blurs To Solid Flesh?


Garry winogrand was a key figure in american photography, who in the 1960s began to advance a highly personalized visual language that challenged the notion of the photographer as an objective witness. Find the latest shows, biography, and artworks for sale by garry winogrand. A native new yorker, garry winogrand became known for his street photography blending documentary and photojournalist styles and freezing his subjects in spontaneous and bizarre moments.

He Described His Work As Finding Unanticipated Perspectives Through Experiment, Intuition And Luck.


Garry winogrand, 1981 garry winogrand: Winogrand's zoo even if true is a grotesquery. Garry winogrand, metropolitan museum, new york, 2013 bystander:

14 3/4 × 22 1/4 (37.5 × 56.5 Cm) Credit.


14 1/2 x 19 3/4 in. Central park zoo, new york city date created: “in his book ‘the animals,’ [winogrand] shows the central park zoo for the dirty prison it was, focusing on the bars, the concrete floors, the dispirited ugly animals, the dumb (for thinking they are enjoying themselves), ugly people, and the grubbiness and meanness, conveying an.

14 3/4 X 19 3/4 In.


“in winogrand’s zoo…the animals are not more important than the humans, and are in fact united with them in a peculiar kind of symbiosis. Photography curator, historian, and critic john szarkowski called winogrand the central photographer of his generation. It is a surreal disneyland where unlikely human beings and jaded careerist animals stare at each other through bars, exhibiting bad manners and a mutual failure to recognize their own ludicrous.