Fernando Amorsolo Defence Of A Filipina Woman's Honour. He is popularly known for his craftsmanship and mastery in the use of light. Defense of a filipina woman's honor one of his famous war era painting during world war ii.
Note the japanese military cap at the man's foot Here, a filipino man defends a woman, who is either his wife or daughter, from being raped by an unseen. His wartime paintings are considered among his finest work and were exhibited at malacanang palace in 1948.
In 1972, Fernando Amorsolo Became The First Filipino To Be Distinguished As The Philippine’s National Artist In Painting.
As a master of portraiture and genre paintings, amorsolo was sought after not only by influential and rich filipinos such as luis araneta, antonio araneta and jorge vargas. The conversion of the filipinos (1931) corner of hell; After the war, amorsolo resumed painting idyllic scenes depicting the countryside.
Born In Paco, Manila, He…
He paints from within the filipino values, character and soul. Philippine genre, historical and society portraits. • it is one of amorsolo's famous war era painting is the “defense of a filipina woman's honor”.
His Wartime Paintings Are Considered Among His Finest Work And Were Exhibited At Malacanang Palace In 1948.
Amorsolo, defense of a filipina woman’s honor (1945) 22. He was named as the “grand old man of philippine art” during the inauguration of the manila hilton’s art center, where his paintings were exhibited on january 23, 1969. Amorsolo’s major works, such as maiden in a stream (1921), the conversion of the filipinos (1931), the bombing of intendencia (1942), the rape of manila (1942), defense of a filipina woman’s honor (1945), and sunday morning going to town (1958), relate to distinct events in philippine history.
Here, A Filipino Man Defends A Woman, Who Is Either His Wife Or Daughter, From Being Raped By An Unseen.
Amorsolo’s major works, such as maiden in a stream (1921), the conversion of the filipinos (1931), the bombing of intendencia (1942), the rape of manila (1942), defense of a filipina woman’s honor (1945), and sunday morning going to town (1958), relate to distinct events in philippine history. After the war, amorsolo resumed painting idyllic scenes depicting the countryside. Amorsolo’s defense of a filipina woman’s honor (1945) represented his unspoken defiance against oppression.
The Philippine Islands Were Still Under Spanish Rule.
Note that there is a japanese military cap at the man's foot. Untitled (filipino woman in mestiza dress) estimate. Amorsolo was an important influence on contemporary filipino art and artists.