Nam June Paik Global Groove. He is credited with the first use (1974) of the term electronic super highway to describe the future of telecommunications. In this video, paik uses abrupt editing to mimic channel surfing across a futuristic, globally.
Description the frenetic pace of the video, created in collaboration with engineer john godfrey, is meant to encourage a futuristic look at the media landscape at the time it was made, in 1973. Nam june paik, global groove, 1973, courtesy electronic arts intermix (eai), new york. Electronic arts intermix merce by merce by paik (1978) nam june paik in collaboration with charles atlas, merce cunningham, and shigeko kubota running time:
As Soon As You Pick The Writer You Like, You Can Reach Them Directly And With No Third Party Involvement.
Nam june paik, charlotte moorman. He coined the phrase information superhighway in 1974, and has been called the father of video art. he was born nam june paik on july 20, 1932 in seoul, south korea. 1973 nam june paik, global groove hd.
Directed By The Lumière Brothers.
Edited for television (1975), you can't lick stamps in china (1978), media shuttle: Global groove 2004|caitlin jones to provide the writer with additional instructions on your order, making the writing process more effective and ruling out any possible inconsistencies in. This presentation features paik’s seminal.
Global Groove, 1973 By Nam June Paik And John Godfrey.
Two dancers get their groove on in a psychedelic dance off by the father of video art, nam june paik. The spirit of the tape conveys marshall mcluhan’s theory of a future ‘global village’, which paik matched. Global groove 2004 / john g.
Music Featured In Nam June Paik’s.
Nam june paik, jud yalkut. In this video, paik uses abrupt editing to mimic channel surfing across a futuristic, globally. 1973, 28:30 min, color, sound.
62 Njp Reader #6 Global Groove:
In collaboration with john godfrey. Description the frenetic pace of the video, created in collaboration with engineer john godfrey, is meant to encourage a futuristic look at the media landscape at the time it was made, in 1973. His major posthumous retrospective, entitled nam june paik:
