Jean Dubuffet Corps De Dame

Jean Dubuffet Corps De Dame. In april 1950 the french artist jean dubuffet embarked on a series of paintings entitled corps de dames or 'ladies' bodies'. In corps de dame—pièce de boucherie, the nude is no longer treated an idealized emblem of classical beauty, but is instead depicted as a slab of meat, a flattened mass of pink flesh.

Jean Dubuffet Mire G204 (Boléro), 17 II 1984 Acrylique
Jean Dubuffet Mire G204 (Boléro), 17 II 1984 Acrylique from www.pinterest.com

10 1/2 × 8 1/4 in. According to sayre, jean dubuffet's corps de dame can be read as select one: He notes that these pieces of art are often called out as misogynistic (negative or hating women).

10 5/8 X 8 1/4 (27 X 20.9 Cm).


Asked jul 9, 2016 in art & culture by ashley. An attack on academic figure drawing. Dubuffet juin 50' (lower left) oil on canvas 46 x 35½ in.

A Depiction Of A Femme Fatale.


Of all the series of jean dubuffet’s works, the corps de dames have attracted the most attention and acclaim. Practiced ghost drawing, producing works while in a trance. Aimed for authentic art, divorced from convention and tradition.

Bodies Of Women (Corps De Dames).


Derived from the french word for formless, the term art informel gained currency during the early 1950s to describe the new expressive gestural styles adopted by artists like jean dubuffet, karel appel, emilio vedova, and others. Jean dubuffet | corps de dame (lady's body) (ca. Corps de dame jaspé (marbleized body of a lady), 1950.

Le Regard D''un Amateur :


Sayre explains the drawings corpse de dame (french for bodies or group of women) done by jean dubuffet as the unconventional presentation of female figures that express women as the slap of skin, drawn in rough forms. Ossorio's full mother and dubuffet’s corps de dame reflect the artists’ belief that, according to dubuffet, “painting is a more immediate and direct vehicle than verbal language, much closer to the cry.”. 50' (en haut à gauche);

Found At Christies Art Moderne, Lot 310 22.


In 1950, dubuffet began his series “corps de dame” (woman’s body) in which he ironically engaged the long tradition of the female nude in western art. De minuit (nouvelle édition), 1987 (n° 146, cit. An appreciation of the female nude.